Max and Ely are two little boys working hard to get the moon to stay in place. They send a rocket up to try to lasso it, they even try to scold it into submission. Each night the moon comes and goes, bringing closer the day that Ely must leave for the hospital.
In these uncertain times, this book felt so grounding to me. The book is probably more suited towards the 3-8 year old crowd, but the words and illustrations were soothing enough and a great reminder to anyone, regardless of age that living in the moment, breathing, feeling, and finding your calm is not only a faint possibility, but within all of our grasp in one way or another.
I’m not sure I’ve ever seen a picture book paint such an honest and straightforward treatment of a mental disorder in a parent, and I can imagine what a relief it would provide for young readers to see that parts of their story are shared with others.
With a charming cast of characters like flamboyant and gorgeous dance phenom Alec, cruel dance teacher Millicent Moore, singer/songwriter Fletch, mean girls Natasha and Jade, and terrifying martinet Cecile Duke, the plot moves along in a way that is comforting if a little predictable. Fans of Singin’ in the Rain will know exactly where the story is going, but they will enjoy getting there tremendously.
There are people who carry a pocket US Constitution in their, you know, pocket. This book is not for those people. In my experience, the folks with the slim black copy of the Constitution in their jacket pocket tend to take the document as an unchanging lodestar, practically perfect in every way. I suspect they wouldn’t like this marvelous book aimed at middle grade Con Law scholars , because the authors present a more sophisticated, nuanced, and dare I say, correct view of the matter, one that shows us where the Framers got the Constitution right, and where they just got it written. And you know what? It’s a serious page turner.
As the youngest daughter of a Cuban family living in Miami, Lila Reyes has everything she could possibly want. She has spent her life learning to make all of the recipes her grandmother taught her while working at their family bakery, La Paloma. Cooking and baking are Lila’s heart and soul; they are the passions that drive her dreams and fuel her goals. The recipes her grandmother taught her go far beyond the kitchen where she spends so much of her time; they are the very beat of her heart.
Everyone knows most young saplings dream of becoming Christmas trees. But one grumpy, old tree who doesn’t like lights, decorations, or people is determined to be different.
He doesn’t know why he’s a quilt. His parents are both sheets, and so are all of his friends. (His great-grandmother was a lace curtain, but that doesn’t really help cheer him up.) He feels sad and left out when his friends are zooming around and he can’t keep up.
To say that 12 year old Santiago has had a rough life would be putting it mildly. His father out of the picture, his loving mom dead since he was 5, Santiago has bounced between the houses of his malicious and abusive relatives. His abuela, la malvada, is the worst. After being banished once again to her house, Santiago decides he would rather run away than return to her.
It’s easy to read Paola Santiago and the River of Tears as the spellbinding story of the supernatural that it is, but just as Pao learns that there’s more going on beneath the surface of the Gila River, the reader discovers there’s more depth in the book too. Themes of place and belonging are brought into sharp relief as Pao chafes at what she sees as her mother’s backwards beliefs.